Spark Awards

    THE SPARK DESIGN BLOGS: LOW TIDE & HIGH TIME

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    DIRECTION FINDERS

    San Francisco. Mid-February. 57 degrees, a little foggy. Spark Interface Council met to chart 2010 roll-out of ProSpark & PopSpark. Scene: war room at Autodesk Design Gallery, home of USA Spark Exhibition, Jury & Awards Show.

    On-board the Sparknwagon:
    -Drew Takahashi, Filmmaker, Founder of Colossal Pictures
    -Todd Lappin, Editor, websites like Cnet, CNN and Wired
    -Nate McLaughlin, VP at FGI Interactive (home of Spark)
    -Erin Bradnor, Autodesk Database Interpretor & Spark Sector Commander
    -Nirman Bisla, Spark Energy Manager & Fallen Architect
    -Clark Kellogg, Collective Invention, Spark Chief Thinking Officer
    -Yours truly, Founder
    -Kit Hinrichs, Foundation of Spark
    Ronna Tannebaum, Margeigh Novotny, Maria Giudice and Joe Kwong couldn’t make it, and Jared Hendler stayed stuck in NY snow. But we had their input and soldiered on.

    Clark, Todd & Nirman

    What a fun meeting premise– taking a cool hard look at the current web setup, a version of which will continue to serve the ProSpark side– and imagineering the needs and look of the PopSpark community– to be created from whole cloth.

    We want PopSpark to be a warm & friendly place you check into every day. We want the competition Challenges to come from the community (the POPS). (See http://twitter.com/sparkawards). We want the POPS to build a pool of challenge ideas and rank them, and the most POPular become the current challenge. That way, we can focus the community on one challenge at a time.

    Sites like DIGG and REDDIT are much simpler– you just submit a link that you like. We want something that the POP creates. That’s a massive difference in commitment and involvement– which is wonderful if we can help it happen.

    It would be interesting to list all the many ways a POP can interact with the community: 
    –Submit Challenges
    –Vote on ”
    –Comment on ”
    –work on a design
    –form up with others and collaborate on a design
    –Submit a design
    –vote on ”
    –Comment on ”
    –View rankings of ”
    –Adjust/add to or otherwise improve their entry
    –Spread the word, lobby for votes
    What else, folks?

    Drew View?

    Best!
    –Peter

    SPARKS OVER NEW YORK

    Recently arranged a rare mid-winter SparkMeet with Council members Brent Oppenheimer, OH+CO Principal; Susan Szenasy, Editor in Chief, Metropolis Magazine and Manuel Saez, Principal of his own design firm (and creator of the award-winning CMYKelectric bike). We met on a brisk, brassy day at Monster Sushi on 23rd Street. These are always interesting exchanges–not least because we are good friends, so there is much catching up to do.

    Susan is always a delight–another world-citizen like Brent, she brings the perspective and keen eye of many years of design teaching, criticism and journalism. She’s a child of the old forms, print and fonts and paper (like self!) yet adroitly expresses herself in the latest media to loyal audiences of all ages. Although all magazines struggle, new forms are on the horizon that will afford the continuation of professional writing and design.

    (As Brent points out– the recently launched Apple Tablet– the iPad, is the harbinger of new interactive media tools that provide COLOR screens, ease of downloads, various payment schemes, thousands of apps and print combined with music, video, wifi and mobile. Many devices will follow.

    In the real world, Brent also recommended the Design Indaba (its conference just took place), the South African organization that sprang into action as the country embraced democracy. Some wonderful people, work and ideas. “All very pertinent to Spark as well,” Brent commented. designindaba.com/

    We quizzed Manuel about his CMYK bike plans. “Manuel–What a courageous decision– you’re a designer, taking his product to manufacture and market himself!” Manuel pointed out that this is not unusual– Tom Dair at Smart Design and Bob Brunner at Ammunition frequent these swirling waters. As Tom once mentioned… “Sometimes it pays off. Other times, you just want to forget about it.” On an optimistic note, Manuel has floated a plan (contact Manuel @ manuelsaez.com for more info), has secured manufacturing and is engaged in early marcom efforts. Sweet bike– put Spark on the mailing list!

    So then to Spark. We focused on three projects and their linkages– 1. the new public Spark competition– how it works, who could partner, defining success; 2. the build-out of the Sparks Over China success– more/better! Plus logical brand extensions like touring exhibitions and educational sessions; 3. the evolution of the Spark Awards– a continuing effort to polish and finesse every aspect, from outreach to systems to judging and awards. These are giant subjects, and consume many of our Council and Board meetings. Why do we do this? And why do so many brilliant designers of all levels of experience spend the time and effort to help? Because we use these meetings to guide and plan changes. The idea is to remain relevent, with an ear to the ground, listening to the winds of change, chance and need. We Spark when you Spark.

    Next Meets: San Francisco in February. UK in March. Shanghai & Beijing in April… God willing.

    Best!
    –Peter

    ENTERED, JUDGED & CELEBRATED
    And we were SO busy getting it on! The third Spark was a solid success, by any measure. The work was of excellent caliber, mostly aspirational and inspiring. The jury was challenged with an exciting array of designs in many media, from ceramics to steel. Check it out at the Sparksite:

    Visit http://www.sparkawards.com/Galleries/09_Winners/09_Jury_Pix.htm

    and http://www.sparkawards.com/Galleries/09_Celebration.htm

    SO–WHERE’S SPARK BEEN LATELY?
    Good question! Sparking, of course. After the incredible climax of the Spark Judging and Awards Celebration, we dug into the complex process of awards trophy and certificate production. Essentially this is all hand-work, with something unique for all the finalists and winners.

    But adding to the fun was the production of the Sparks Over China Exhibition and mini conference for early December. In mid-November we pulled together the Spark winners– hi-res images or real pieces, for air shipment to China. Plus every conceivable media from mug-shots of the winners to videos, documentation, etc. This went into the able hands of our CitiExpo partner in China, Ready Zhang and our great task-ms-tress, Mabel Mai, who got the job done. We flew out on the 29th– first to fulfill our happy duties to the Global Design Network in Hong Kong.

    GDN is part of the giant Business of Design Week, one of our favorite design expos and highly recommended. Fellow delegates included good friend Julia Chiu, of Japan’s Good Design Awards (and soon to be President of ICOGRADA), Geoff Fitzpatrick, head of the Australian Design Institute and Kigge Hvid, CEO of the INDEX Awards. Then we were off to the Guangzhou Design Fair, for some real Sparkn’ Chinese-style.
    This delegate- stuff is not easy. One is kept busy from 830am to 11pm, in a constant whirl of meeting politicians, dignitaries, banquets, award-shows (we handed out trophies at 4 of them!), TV and magazine interviews, speeches and jury-duty for the Kapok award.
    Our Spark mini-conference went very well. After the PK pitch (with excellent translation by Ding Zhong), Professor Tong, President of Design at the Gungzhou Academy of Arts related his tale of journeying to America, visiting many of the top design schools and judging Spark.

    Also Asst. Prof and 2008 Spark winner Haishan Deng (on the left) spoke about the experience of Sparking, and why more Chinese designers should be entering competitions.

    Then we handed out Finalist Certificates. These folks were SO happy! But BEST of all was the exhibition of Sparks. All of ‘em, from the last three years. Quite an accomplishment to get everything together–especially 09– in such a short time. We were so proud to see this great work being honored in China.


    The work was in display cases or mounted on silk panels by students from GAFA, working with the Citiexpo team. Just beautiful. Great job.

    So it went, so it goes. Blowing in the wind.

    Back in Hong Kong, we found time for some deep thinking about our friendships and progress in this exciting land. Without getting too blogged- down, I think much is done for peace and cooperation–and progress and freedom– in weeks like this. So maybe we should all just get out there and meet people and make plans and just DO It. Because you can. And it helps. And you’ll get rich– inside. Thanks for the Sparks, China!

    BACK TO BASICS–SOME SIMPLE STUFF ABOUT THE SPARKAWARDS

    LOOK-SEE
    The 2009 Winners Galleries are full of fascinating and inspiring work. Visit:
    http://www.sparkawards.com/09_Winners.htm

    HAPPY NEW YEAR!
    We have all just been through an amazingly tough year. We hope and pray that the worst is now in the past, we’ve passed our trial and the new year will be happy, sustainable and prosperous. All best!



    2010 SPARKS: ENTER ONE

    This year will be an exciting adventure for Spark and Design. In our continuing search for fresh and relevent design interaction, we are launching PopSpark this Spring. Can’t publish many details yet, but PopSpark will encourage personal creativity and focus on specific arts and media throughout the year. It will compliment the original SparkAwards “ProSpark”, which continues in the Fall.

    2010 SPARKS: ENTER BOTH
    Which Spark is right for you? PopSpark is a forum for individuals, who may respond to a creative challenge in a specific discipline they enjoy working in. It is not for corporate or design firms. The Spark Design & Architecture Awards– ProSparks are the home for all professional firms and entrants– and aspiring pro’s.

    ALL DESIGN
    ALL DESIGNERS
    WELCOME!

    SPONSORS & FRIENDS
    Hewlett-Packard
    AutoDesk, Inc
    FGI Interactive
    British Design Innovation
    Core 77
    ArchNewsNow
    Archinect
    Death By Architecture
    Curve/Australia
    SEGD

    FOUNDATION TEAM
    Smart Design
    Continuum
    HOK
    Pentagram
    Teague

    LINKED YET?
    Our new group is now over 415 members. Join the buzz!
    http://www.linkedin.com/groups?home=&gid=1815249&trk=anet_ug_hm

    OR HOW ‘BOUT THAT TWITTER! JOIN US THERE

    Spark’s intrepid Communications Director, Mark Charmer, guided the creation of: http://twitter.com/sparkawards

    CONTACT SPARK
    Spark may be reached at +1.914.481.6106 or via email at info @ sparkawards.com. Visit www.sparkawards.com for more information. For competition details, try the ever-popular FAQ section at http://www.sparkawards.com/Call_for_Entries/FAQ.htm

    SPARK WILL BE BACK SOON

    Take care of yourselves!

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    continue reading…

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    Visit the Asian Design scene here at ASIANLINE. We hope to include feeds and blogs from friends throughout this important region. Please send us your news and views to asianline @ sparkawards. com.

    We had one heck of a 2009 competition last year, but adding to the fun was the production of the Sparks Over China Exhibition and mini conference for early December. Here’s the story:

    Mid-November, we pulled together the Spark assets– hi-res images or real pieces, for air shipment to China. Plus every conceivable media from mug-shots of the winners to videos, documentation, etc.

    This went into the able hands of our CitiExpo partner in China, Ready Zhang and our great project manager, Mabel Mai, who got the job done. We flew out on the 29th– first to fulfill our happy duties to the Global Design Network in Hong Kong.

    We love this city.

    Part of the giant Business of Design Week, one of our favorite design expos and HIGHLY recommended. Here’s Victor Lo, major player in the GDN and BODW and able event director Amy Chow.

    Fellow delegates included good friend  Julia Chiu, of Japan’s Good Design Awards (and soon President of ICOGRADA).


    We were happy to see our Asia-mentor and pal, Geoff Fitzpatrick, head of the Australian Design Institute.

    And Kigge Hvid,  CEO of kindred-spirit aspirational INDEX Awards told us about new INDEX efforts to incubate good design.

    Then– a quick train  zip to the even-gianter
    Guangzhou Design Fair, for some real Sparkn’ Chinese-style!

    I love this slide!

    This delegate-stuff is not easy. One is kept busy from 830am to 11pm, in a constant whirl of meeting politicians, dignitaries, banquets, award-shows (we handed out trophies at 4 of them–gadzooks), TV interviews,   (Here’s David Grossman explaining the work of the Israel Design Works), magazine interviews, speeches and jury-duty for the Kapok award.


    Press conferences are fun too. I had a nice view–
    of the Mayor’s welcoming speech, followed by the delightful custom of loud explosions of confetti (the cleaners LOVE this I’ll bet)


    Our Spark mini-conference went very well. After the PK pitch (with excellent translation by Ding Zhong), Professor Tong, President of Design at the Gungzhou Academy of Arts, related his tale of journeying to America, visiting many of the top design schools and judging Spark. Great stuff.


    Also Asst. Prof and 2008 Spark winner Haishan Deng (on the left) spoke about the experience of Sparking, and why more Chinese designers should be entering competitions.


    Then we handed out Finalist Certificates. These folks were SO happy!

    Finalist Jieping Huang,  Department of Industrial Design, School of Mechanical and Automotive Engineering, SCUT


    Ah but BEST of all was our exhibition of Sparks. All of ‘em, from the last three years. Quite an accomplishment to get everything together–especially 09– in such a short time. We were so proud to see this great work being honored in China.


    The work was in display cases or mounted on silk panels by students from GAFA, working with the Citiexpo team. Just beautiful. Great job.


    Here’s a great group we’ve grown accustomed to: Jan von Holstein, and next to me Prof. Tong and Johan Adam Linneballe. Friends for life (count David Grossman in here, too).


    It was a fine experience. We’ll be back soon, to march out the Spark exhibition and story to the other great cities of China and Korea.


    So it went, so it goes. Blowing in the wind.

    Re-zipping  back to Hong Kong, the wind at our back
    we found a nice view out our window  and time for some deep thinking about our friendships and progress in this exciting land. Without getting too blogged-down, I think much is done for peace and cooperation–and progress and freedom– in weeks like this. So maybe we should all just get out there more, and meet people and make plans and just DO It. Because you can. And it helps. And you’ll get rich– inside.

    The wrap-up. What a finale to this visit. (Actually, ALSO a nice start for the Asian Games) Thanks for the Sparks, China!

    The End of the Beginning.

    ……………………………………………………………………………………………………………………………………………………………………………………………..

    continue reading…

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    Poundbury – an essay in how not to design a new town

    Poundbury is Prince Charles’ ‘exemplar’ urban environment, built on the edge of Dorset’s county town, Dorchester – in the UK. It is held up in some planning and design circles as a template for how we should design future towns, and in other circles it is ridiculed. As some of our contacts have been discussing it online in the last few days, I thought it would be appropriate to publish my perspective, in the form of a re-worked extract from my 2008 Royal College of Art Thesis – “The future of the car in the city”. The short essay follows:

    Poundbury panorama1 3Above: Pounbury streetscape – as seen from the green

    Introduction

    “It resembled an ancient relative to whom one was very close as a child, but who lacked any understanding of the adult whom circumstances had in the interim formed, whether for better or worse.”

    Alain De Botton’s withering description of Poundbury village – a recent extension to the town of Dorchester in Dorset, is typical of those made by both mainstream and architectural media following the opening of Prince Charles’s ‘model’ town.

    For many it is purely the architectural form that proves to be Poundbury’s undoing, but the most interesting aspect of this place – and what makes it a worthwhile study, is its urban design principles and attitude towards the car – both in terms of the theories and ideologies its designers used, and in the physical manifestation of the place itself.

    Background and history

    Poundbury exists today primarily thanks to HRH Prince Charles – the Duchy of Cornwall. His views on architecture, and how in turn the architecture profession has received this, can be read elsewhere. What specifically interested me was that Poundbury’s “…entire masterplan was based upon placing the pedestrian, and not the car, at the centre of the design.” To understand the relevance of Poundbury when considering the relationship between urban environments and the car, it is necessary though, not to focus on Poundbury’s visionary Prince Charles, but Leon Krier – Charles’s masterplanner, and New Urbanist.

    Krier’s book – ‘Architecture: choice or fate?’ – sets out the principles that form the basis of New Urbanist theory which he employs at Poundbury. Not a fan of large, modern, metropolitan cities – he argues that they develop in problematic ways – nor Suburban sprawl, Krier instead suggests a model of ‘the city within the city’. These are smaller urban villages, situated close to one another, yet that don’t physically connect. The intention is to “re-establish a precise dialectic between city and countryside.”

    Poundbury embodies these ideals, situated approximately two kilometers from the heart of Dorchester town centre. In between the two is a less dense, greener, urban ‘strip’. The place is split into four quarters, being built in phases (currently only phases one and two have been completed). Each quarter comprises it’s own mini-centre – a square intended as a focal point, for people, rather than cars.

    Poundbury sketch  layout Above: Pounbury schematic layout in relation to Dorchester, as I see it

    Experience

    Yet visiting Poundbury and observing how people actually live there, reveals deep flaws in Krier and Charles’ model. Poundbury feels like a village that has not yet been through the industrial revolution – yet (paradoxically) it feels dominated by the car. The central squares are not ‘people’ places – they are car parks. The streets around them are deserted of both people and vehicles. Ultimately, you discover the cars have been shoved out of the way, into back alley muses containing nothing but garages, eating up acres of space. The result is that both streets and courtyards are devoid of life and feel soulless.

    Walking through Poundbury is analogous to Jim Carey’s chatacter in the Truman show. Life feels somewhat fake. In part, this is unsurprising – The Truman show was based on and filmed in Seaside, Florida which was designed by the ‘fathers’ of New Urbanism – Andres Duany and Elizabeth Plater-Zyberk, and a place which Krier speaks about enthusiastically in his book.

    Ultimately, despite being planned as “…a high-density urban quarter of Dorchester which gives priority to people, rather than cars, and where commercial buildings are mixed with residential areas, shops and leisure facilities to create a walkable community”, Poundbury’s fails in three key areas, expanded upon below:

    • Services

    Richard Rogers argues that for a place to be truly ‘walkable’ one needs the ability to work, live, play, (by inference meet people, eat, shop, entertain and be entertained) within the same (1 mile or so?) area. Although Poundbury was developed as a mixed-use community, as one might expect, many of the people who live there do not work here, and vice-versa. Likewise, the keystone services and amenities taken for granted in cities and towns – the supermarket, cafes, bars, a cinema, restaurants, educational and academic institutions, gyms, theatres, a take-away, a library or bookshop – simply do not exist in Poundbury. Poundbury has a high end hi-fi store, three wedding and bridal shops, and a ‘Budgens’ mini-mart shop masquerading as “Poundbury Village Stores”. Bluntly, being denied the amenities modern people and modern life require, strangulates Poundbury.

    • Accessibility

    If the designers had truly wanted the residents of Poundbury to use their cars less, then would it not have been more pertinent to explore and create better links, pathways and services between two of the places which Poundbury residents might most frequently be predicted to need access – Dorchester and the nearby Tesco’s supermarket? The supermarket sits only 1.4 km away as the crow flies (fig.26), but there is no path, no route for pedestrians, or other vehicles – so almost everyone drives there, as the supermarket is just around the ring road. Dorchester itself is 1.6 km from Poundbury’s central square. These distances (around 1 mile), equate to around 20 minutes walking time – too great a distance and time to prevent time-pressed people from using their cars. Alternatives options to jumping in the car are needed, and they are notable by their absence.

    Dorchester map Above: an annotated aerial view of Poundbury with key landmarks and POIs in Dorchester marked

    • Parking and streetscape

    This area is the one Poundbury comes closest to getting right. However, some short-sighted ideas, and odd implementation, create issues. Krier is right for suggesting, “The speed of vehicles should be controlled not by signs and technical gadgets (humps, traffic islands, crash barriers, traffic lights, etc.) but by civic and urban character of streets that is created by their geometric configuration, their profile, paving, planting, lighting, street furniture, and architecture.”

    Yet somewhere between drawing board and physicality, things have gone wrong. Poundbury does feature narrow, winding streets with ‘dropped kerbs’ that seem to discourage cars drivers from traveling particularly quickly. At the same time however, its lack of real hierarchy and distinction in building types – and the apparent desire to completely remove street signage, or implement any technology – means that the place does, to use his words about certain other places “demonstrate [its] unique capacity to disorientate, confuse…” Poundbury isn’t readable; it isn’t legible to an outsider.

    Parking is worse still. The overarching desire to maintain ‘order’ – for everything, including the car – and to be neat and tidy, seems to have created issues when it comes to dealing with where to put stationary vehicles, and how much space they are allowed. Vast parking mews at the rear of houses tends to keep vehicles off the main road, but the benefit of this is questionable. The garage mews take up enormous space in the areas behind houses, occupying huge tracts of land that in ‘real’ cities simply isn’t there. Squares and courtyards have no focus, no life, and where there is some focus like a shop, simply become car parks.

    Garage Mews Above: one of the many garage mews, which take up acerages of space in Poundbury

    If the intention was to put pedestrians (or even cyclists and other small vehicles) first, Poundbury might have looked at employing the incredibly successful ‘Woonerf’ system seen in Holland – which limit the space for cars on residential streets – and makes the street-spaces vibrant, safe environments in which children can – and do – play. Might it not have been better to move the cars out to two, maybe three main ‘areas’ on the edge of the development? But then this would raise the prospect of creating multi-story car parks, which Krier criticizes for little good reason, but at great length, in what he has written.

    Conclusion

    Poundbury is an interesting example of an attempt to build a new development in the early twenty-first century. Objectively, its failure is not down to the plain-to-see distaste for modern, nee modernist architecture which its facades embody, and for which it is most commonly criticised. Instead it is the failure to provide any vision or any excitement, about how the future of urban environments might be, and how people and vehicles might move around and share space, that disappoints most. Worryingly, for a place that is intended as a counterpoint to sprawl and overcoming car dependency, Poundbury provides little in the way of a blueprint for how things could be done.

    It is also a lesson in why not to look at mobility as only being about cars, and why a creeping agenda of discouraging or limiting movement and mobility could be dangerous. Should others try to ape Poundbury’s developers, they too risk becoming preoccupied with trying to create well meaning solutions that don’t take into account the needs and desires of modern lives. One hope that if future developments try to counteract the car and its impact, they don’t forget about other forms of private mobility, which can complement or repurpose traditional cars. Sadly, for all the anti-car bluster, there is not a hint of a cycle lane, a bike park, a PRT system, a car-share scheme or a Segway to be found here.

    An opportunity has been missed here, because of a refusal to embrace and experiment with new ideas, technologies, and products. This place could, and should have been an exemplar or a test bed in how we might live and move in the future. Instead, what best encapsulates the failures of Poundbury is this: its inhabitants appear condemned to a life on Dorchester’s ringroad, traveling to a big-box Tesco’s store, built on a greenfield site, in a car that weighs twenty times their weight, and typically has three empty seats.

    One can only hope that those tasked with helping shape future towns and cities – both in the UK and abroad – who are now bussed to this place to ‘learn’ from it as some kind of example, recognise its failures and don’t condemn the inhabitants of their future towns to the same fate.

    Published by Joseph Simpson on 17th February 2010

    Some notes and information on this piece:

    This piece is an adaptation from part of Joseph Simpson’s Thesis “The future of the car in the city” – Royal College of Art, June 2008. A full set of references for this piece are available on request, but are not included here in our usual hyperlink fashion as they mainly refer to offline sources.

    The piece is not creative commons licensed in the way our usual pieces are, as it is subject to some copy right from The Royal College of Art. Please contact me if you would like to use or reference it so that I can grant permission. A copy of the original piece in pdf format is available on request.

    Joseph Simpson visited Poundbury in October 2007

    Blog courtesy of RE*MOVE http://movementbureau.blogs.com/projects/

    February 17, 2010 in architecture, Cities, Design, Leon Krier, Observations, Parking, Poundbury, Prince Charles, Sustainability, urban design | Permalink | Comments (1) | TrackBack (0)

    FREE: The Web as Big Box Retailer

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    P.ARCH is the hotspot for Public Architecture, urban planning and design. P.ARCH highlights the potential of the design community to be a force for positive change in the civic sphere. Please send us your news and views to p.arch @ sparkawards. com. continue reading…

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    Welcome to Chez Spark, where good design is reason for living.

    NEW CENTURY FASHION
    continue reading…

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    Where — and how are you going into our bright future? We love and design fast cars and slow, big engines and small, gas, hydrogen, electric, 4 wheels–more or less– trucks, trains, planes, and dig plenty of efficiency and sustainability. We even have a lobbyist for capacitors! Please send us your news and views to going @ sparkawards. com.

    Contributors include Dan Sturges, Dave Muyres, Mark Charmer and Joe Simpson. Gentlemen, start your powerplants!

    Finding meaning in Frankfurt – 2009 auto show review

    IMG_2855

    What will the 2009 Frankfurt auto show be remembered for? While you’ve probably read it was all about electric cars, that misses the bigger story from the Messe show floor. This was the moment the auto industry got its mojo back.

    Whether this sense of optimism is misplaced (especially when you take into account that scrappage schemes across Europe seem likely to end soon), only time will tell. For now, it serves as an antidote to the damp-squib of Geneva 2009, which was sorely needed.

    IMG_1833Carlos Ghosn says “the time for change is now”, introducing four Renault EV (or Z.E.) concepts

    Back at the turn of the year, people like Renault-Nissan’s Carlos Ghosn were saying things like “I can’t even predict what’s going to happen next month, so don’t ask me about plans for 2010”. In Frankfurt, he assuredly hung Renault’s future on EVs, saying “the time to act is now” before unveiling four electric car concepts, and promising they’d all land by 2012. Whether consumers want them is now the 64 billion dollar question. Should the answer be a full-on no, Renault’s on a very slippery slope. If yes, its alliance with Nissan is extremely well positioned, backed up by its infrastructure partner, Better Place – who placed an order for 100,000 electric Renault’s on the first day of the show.

    Alongside Renault’s offerings, BMW was a shoe in for car of the show with the Vision Efficient Dynamics concept. Pictures leaking out prior to the show’s opening didn’t diminish its impact in the flesh, and no-one has missed its relevance to the future of BMW’s M Performance division – previewing a future for high-performance cars in a carbon-constrained world. It’s a great halo car for the Efficient Dynamics campaign, too (which incidentally, is much smarter than the cheesy, over-arching new brand slogan, “Joy”).

    IMG_2127BMW’s Vision Efficient Dynamics concept, looked terrific from this angle

    Ferrari’s 458 Italia was the prettiest looking core-model Ferrari since 1994’s 355. The stunningly executed Rolls Royce’s Ghost showed Bentley’s Mulsanne the way in elegance terms, showcasing some particularly fine English craftsmanship – check out those door inners, and ingot-like door handles.

    IMG_2196

    Rolls Royce Ghost doors

    Lexus and Saab still disappoint. The Lf-Ch was predictable – somehow feeling a little too close to Toyota’s similar sized cars in its execution, and bringing little new to the premium C-segment dominated by the Audi A3 and BMW 1 Series. SAAB’s 9-5 doesn’t really stand cross-examination against Audi or BMW either. While a welcome new product on a stand starved of product under GM, it suffers from a slightly dated feeling (not surprising really, as its design was signed off some time ago). We wonder how – and if – things will change for SAAB under Koenigsegg.

    IMG_1911Citroen Revolte’s interior raised a few eyebrows

    Citroen’s ReVolte was much talked about before the show as being a modern interpretation of the 2CV. Yet for all the talk of plundering a heritage line, this was Citroen having a bit of fun. Drawing inspiration from a certain section of Parisian society, the interior takes on the feeling of a boudoir in the rear (crushed red velvet) and clashes it against an integral rear-facing child seat and hi-tech, pilot-like driver’s chair. If nothing else, it made us smirk, and provided an amusingly playful contrast to the seriousness of the Germans.

    Sister brand Peugeot produced an intriguing concept in the form of the BB1. A sub-Smart sized city car, the BB1 actually seats four, although they may want to be more than just good friends with one another before all climbing aboard. Cleverly for a product that in size approaches something many might hesitate to classify as a car, there is strong use and reference made to Peugeot’s road bike heritage (bike inspired front seat perches, bike-based driving controls). It felt like an authentic gap-bridging vehicle between car and bike. We expect to see much more of this type of thing aimed at the urban populations of mega cities. Certainly Renault’s Twizy appears to be just that, too. It provides an interesting contrast to the BB1, being physically smaller but designed to imbue the driver with the sensation that they are in a real car, in a way the Peugeot passes over.

    IMG_1797Four passengers in the Peugeot BB1 – they’re all good friends…

    Favourite vehicle of all for me was the VW L1. Some explanation is appropriate here. Last year I finished an MPhil at the RCA, and my final project was a VW-branded city car, arranged in a tandem formation, and in part inspired by the 2002 1 Litre concept – brainchild of Ferdinand Piech. For many reasons, a very aerodynamic, light, narrow, tandem format car makes sense for our future world.

    IMG_1960VW L1

    Yet just eighteen months ago (when completing my project) I thought VW had shelved the 1 litre. It was a Piech pet project, and featured rocket science tech that was too expensive, too weirdly packaged to ever see the light of day in a production car. Never underestimate Ferdinand Piech is the message to take from this… more than ever, he’s very much in charge – and in the seven years since the original 1-litre car, the production techniques and cost of making its carbon fibre monocoque have fallen. Meanwhile, the two-cylinder diesel motor has entered the realms of economic reality too – as it’s likely to be pressed into service under the hoods of future Up! and possibly even Polo models, as the internal combustion world continues to downsize. So the L1 is very much set for future production according to VW.

    The headline is that the L1 has a drag factor of just 0.195cd (the lowest I’ve heard of – and for comparison, today’s best the Prius, is 0.25), and weighs under 400kg – the monocoque accounting for a scarcely credible 65kg of that. But after talking to designer Maximillian Missoni, there’s a sense that the real achievement has been to create a beautifully spare exterior style, reflecting the purity of purpose in the engineering, with design language that is recognizably VW, and acceptably car-like.

    The low cockpit, and side-hinged canopy enclosure make sitting in the L1 feel more akin to piloting a fighter jet than merely driving a car, an idea that is intentional. The design theme was inspired by aeronautics, and intended to convey a sense of speed. More than that though, Missoni says that there was a desire to create a positive sense of drama and forward thinking here “you want to be able to drive up in front of a restaurant, and not feel embarrassed, you want to feel “I’m a pioneer’”.

    IMG_2006

    Compare this to the other future we’re presented with; the forgettable, dumpy forms of the Prius or Leaf – essentially the cars we have today with new powertrains underneath. There’s much merit to what these cars have done to condition markets and move consumer’s mindset. Yet there’s also evidence that – from both an environmental perspective, and an urban mobility one – we need to go further, rethink some first principles. For me, the L1 is that car, it shows a really different way forward – in a positive way. VW’s a huge car maker, but it’s proving that size isn’t a hindrance to thinking differently.

    So while the Prius may be a green darling, and its current iteration reputedly very good, the VW is – in many regards – much more elegant when viewed from a holistic design and engineering point of view. Of course, you won’t be able to fit a family of four and the dog in an L1, so many will dismiss it. But think about how often you travel alone, or with just one other – and think about how menial a task day-to-day driving has become. The L1 shakes those ideas up, and says that the future could be different, but the future could have a real sense of adventure, a sense of fun about it. If VW is truly saying that a car as pioneering as this can now be produced, at a cost those pioneering individuals can afford, then it suggests there is every reason to be optimistic about the future – of not only the car, but of how we can push the boundaries of travel itself within the constraints of the world today.

    Posted by Joseph Simpson on 23rd September 2009

    Four Minutes In Frankfurt–Video

    Four Minutes In Frankfurt


    Are You Electric?

    The NYTimes reports a different, perhaps more confident mood among would-be electric vehicle makers. What do you think?

    http://www.nytimes.com/2009/09/14/automobiles/14electric.html?ref=business

    The last 12 months of auto design – our favorites

    August 24, 2009 by Joe Simpson, with Mark Charmer

    We returned from France a few days ago to find Robb and Mark discussing the last 12 months of cars and car design, because they were thinking about which ones ought to be entered into the upcoming Spark design Awards.

    While the auto industry’s been in the doldrums for some time now, Spark Awards provides an opportune moment to take a look at some of the more interesting cars, concepts and automotive details of recent times. So without further ado, here’s a scratch list of some Simpson favourites…


    BMW Gina

    Gina

    Designed years ago, but then dumped in a secret hanger until such time when BMW needed an on-demand concept to unveil (the opening of BMW-Welt proved to be just such an occasion), BMW’s Gina is arguably the single most innovative thing to have happened in auto design for years. As its mastermind Chris Bangle remarked at unveiling “what do we need the skin of a car for anyway? What is it made out of? Does it have to be made of metal?” Too few ‘what if’ questions are asked in the auto world, and the moments that they do happen are typically hidden from public view – as this one was for so long. But we’re glad it finally saw the light of day, and that like all the best concepts it asks more questions than it answers.


    Nissan Cube

    Cube

    In a world where even family hatchbacks are competing to set the fastest time in the class around the Nurburgring, Nissan offers a leftfield approach. The Cube has been around in Japan for years, but now Europe and the US are getting the second generation. Why? Nissan realise that most drivers aren’t interested in the minutae of cornering finesse, or top speed; they’re interested in something that manages to provide huge utility, but have personality at the same time. The Cube has both in spades. Essentially a box-on-wheels, it features a ‘sun and moon’ set of dials, ‘curvy wave’ seating, and asymmetric styling in the shape of one side rear window turning around the corner into the rear windshield. When he had one on test recently, Michael Banovsky noted “I feel awful leaving the cube downstairs at night. He looks so sad”. It’s the kind of car that elicits such feelings. Jean Jennings, Automobile Magazine and long-time Spark friend, raved about it to us recently, too.

    Audi LED lights

    A5

    They’re by no means universally loved, nor were Audi first to introduce LED headlight technology, but through smart design strategy and brilliant detailed execution, Audi have taken ownership of the LED headlight. Subtly different on the R8, A6, A5 and A4, the wavy bands of bright white lights, piercing through the daylight when in DRL mode, are now as much an Audi identification hallmark as the shield grille and four rings – leaving you in no doubt as to just which type of car is behind you, and would like you to move over, thank you very much…

    Pininfarina Bluecar (nee Bo)

    Pininfarina Bo

    Electric and hybrid cars need to look apologetic and dumpy don’t they? Ergo, all cars of tomorrow will look like the Prius, right? Wrong! Pininfarina, the Italian design house better known for styling Ferraris, took the unusual step of developing their own-brand car, in conjunction with French battery maker Bollore, to showcase a small, electric city car. At its unveil at last autumn’s Paris auto show, words like ‘cute’ and ‘funky’ were the order of the day. Pininfarina even put solar panels where the radiator grille would have been (because it doesn’t need one), and showcased an interior whose design picks up where their brilliant Sintesi concept left off. All in all, this ought to be the car that moves the game on beyond Prius.


    Ford Smartgauge

    Smartgauge

    Just under a year ago, Ford was smarting from being (wrongly) lumped in with GM and Chrysler over auto bailout shenanigans in the US. The perception was that the US auto industry didn’t do green, because it didn’t make a Prius competitor. Step forward the Fusion Hybrid, a car which drives just like a regular car, looks like one, but gets better gas mileage than any other hybrid in its sector. But all of this wasn’t really the reason for excitement. No, it was the Fusion Hybrid’s Smartgauge cluster – a four-way configurable digital instrument panel, which helps drivers to get the best economy from the vehicle. Using ethnographic research done with IDEO, Ford have come up with a system that adds layers of complexity and information as drivers learn and want to know more about how their activity affects economy. Ultimately, it just makes the car more engaging and fun to drive… and I never thought I’d write those words about a hybrid.


    Toyota iQ

    IQ

    Arguably as innovative as the Gina, the iQ is a sub-3m long city car, which (at a squeeze) seats four, can turn on a six-pence, and yet will let you walk away from a 40mph crash alive. The Prius is often lauded as Toyota’s greatest engineering achievement – but this car trumps it. Among other things, Toyota completely rethought and redesigned the air conditioning and HVAC system to take up less space, remodeled how the steering rack / differential / front axle arrangement worked allowing the distance from front wheel to driver to be reduced, and built a fuel tank to fill the (tiny) few spare spaces they had left under the passenger compartment. It out-smarts the Smart car in one move. Shame Aston Martin want to do crazy things to the whole concept…

    Honda Insight Speedometer

    Insight speedo

    A lot of people criticise Honda’s new Insight, but it can be applauded for an approach which – rather than adding complexity, which is inherent to most hybrid cars – seeks to simplify. So the electric motor and hybrid system is smaller, simpler, sitting like a ‘pancake’ behind the engine. And rather than the all-singing, all-dancing driver displays found in some hybrids, the Insight keeps you driving economically with a really simple piece of design. The digital speed display, sitting at the base of the windscreen and in the driver’s line of sight, simply glows green when you’re driving economically, and goes purpley-blue when you’re being lead-footed.

    Volvo S60 Concept

    S60

    Changes are afoot at Volvo. Ford is keen to sell its Swedish subsiduary. Steve Mattin – the chief designer – left suddenly, and now one of the blue oval’s top designers, Peter Horbury – who made his name at the Swedish firm, is returning to head up the design team. If he gets the next S60 into production looking anything like the concept car unveiled at January’s Detroit auto show, there’ll be lots of happy people in Gothenberg. Not only did the S60 concept look sleek and fast, but it had an interior of such jaw-dropping beauty and detail design attention, that it was many people’s star of the show. Criticised for deserting its Swedish roots under the stewardship of Ford, the S60 emphatically hit back, featuring a huge chunk of glass dashboard that flowed between the seats and into the back of the car. Done in conjunction with Swedish glass firm Orrefors, the end result was an interior that embodied everything great about Scandinavian interior design values, and felt as Swedish as Abba, but a damn site classier.


    What do you think? Lists tend to create disagreement, so let the debate begin! What blindingly obvious thing have I omitted? Ultimately, there’s nothing too out of the ordinary here. No Tesla. No Aptera. No Jetsons-esque flying cars that start to creep into the kind of ‘reality’ one expects to see South Park satirizing. The auto industry doesn’t do ‘innovation’ in a way that’s highly visible, or that changes the world, very often. In fact, it’s largely still doing things the way Henry Ford did 100 years ago, which many argue is why it’s in the state it finds itself today. Yet for some (and I include myself here), it’s possible to take delight in the new models, and the little details which showcase the behind-the-scene hours spent by engineers and designers, who’ve dedicated their lives to shaving off a kilogramme of weight here, or an inch of unnecessary flab there.

    It’s the little things, those moments where you’re made to feel ‘someone in the development team thought about me’, that still ultimately make cars the special, coveted objects that they are today.


    Posted by Joseph Simpson on 19th August 2009

    Disclosure – Ford is sponsoring The Movement Design Bureau’s design and research work in 2009, Honda provided an Insight test car free of charge for review purposes.

    Images: BMW Gina – Steve.Jackson, Nissan Cube – winni3, Audi A5 – philippluecke, Pininfarina Bluecar, Ford Smartgauge, Honda Insight – all Joseph Simpson, Toyota iQ – Mark Charmer, Volvo S60 – potatowedge


    LAUNCHPAD

    July 1, 2009 by Peter Kuchnicki

    It’s appropriate to launch the GOING blog with a launch by friend and Spark Council member, Tom Matano.  Tom is also Director, School Of Industrial Design for the Academy of Art University and ex-chief of Mazda Design. In a somewhat cryptic PR from LED (Louisiana Economic Development), plans are outlined for a new eco-car, designed by Tom and an impressive team. When I asked Tom “What else can we put in the GOING blog about this? How about sharing some design guidance, mission, drivetrain, etc?” Tom responded, “Unfortunately, I can’t give you any more than that the plant site has been selected… If this goes as planned, it will be another ICON like Miata has become.”

    We’re rooting for you, Matano. And dig the VC masters of the universe-types behind this startup. Watch out Elon! Here’s most of the PR:

    RELEASE: Louisiana Economic Development

    V-Vehicle Company, or VVC, is a new American car company that will produce a high-quality and fuel efficient car for the U.S. market. Its goal is to provide the American car buyer greater product value and a superior automotive experience. By designing and building its cars in the U.S., VVC wants to help re-establish American leadership in the global automotive industry.

    • VVC was founded in 2006 by Frank Varasano, a former Oracle Corp. and Booz Allen Hamilton executive. The vehicle design team is led by Tom Matano, who is best known as the “father of the Miata,” which was recently named the “most iconic” car of the past 25 years by BusinessWeek.

    Headquartered in San Diego, Calif., VVC intends to locate its first manufacturing facility in Monroe, La.

    First Plant Location Selected

    • VVC selected Monroe, La., as its first plant site after an extensive and competitive, multistate evaluation of potential candidates against a detailed list of critical factors. Key to its decision was the availability of an existing facility, the quality of the labor pool, its confidence in the state and local leadership and a creative incentive package developed by the Louisiana Economic Development team that addressed core needs and provided value where it was most needed. KPMG advised VVC in the selection process and CBRE acted as real estate broker.

    • VVC plans to renovate, retool and expand the former Guide headlamp facility in Monroe, approximately doubling its size with the addition of about 325,000 square feet of production space. The construction project is expected to begin later this summer. Gray Construction of Lexington, Ky., has been chosen to design, engineer and supervise the project. CKGP/PW & Associates of Troy, Mich., will provide process and manufacturing engineering support. Both organizations have impressive resumes in automotive plant design and construction.

    • Once completed and at full capacity, the Monroe facility will employ over 1,400 workers. The majority of these workers will be employed by VVC, with approximately one-third employed by several colocated supplier companies. VVC intends to take full advantage of the Louisiana FastStart™ program to help recruit, screen and train a world-class workforce. Production hiring is expected to begin in the summer of 2010.

    V-Vehicle Company Funding In Place

    • VVC has been funded thus far by the venture capital firm Kleiner Perkins Caufield & Byers, or KPCB, under the stewardship of VVC board members and KPCB partners Ray Lane and John Doerr. KPCB is one of the world’s leading venture capital companies, with success stories including Genentech, Amazon, Compaq and Sun Microsystems. VVC and KPCB are currently in the process of closing a second round of equity funding.

    • VVC has applied for engineering and manufacturing loans under the Advanced Technology Vehicle Manufacturing Loan Program, a $25 billion loan program established by Congress in 2007 and administered by the U.S. Department of Energy to spur innovation in automobile technology.

    For more information, visit www.OpportunityLouisiana.com.

    BIOGRAPHIES

    V-Vehicle Company Selected Investors & Executives

    John Doerr
    Managing Partner, Kleiner Perkins Caufield & Byers

    “V-Vehicle Company coming to Louisiana, I think, is a great statement and a great catalyst for all kinds of new, innovative economic opportunities.”

    Ray Lane
    Managing Partner, Kleiner Perkins Caufield & Byers

    “The thing that excites me the most about V-Vehicle is that it is a holistic change, so we’re thinking about – from beginning to end – how to reconstruct a car company.”

    Horst Metz
    Vice President – Assembly Operations, V-Vehicle Company

    “Designing a car in America, building a car in America, selling the car in America – we’re going to show that it can be done.”

    T. Boone Pickens
    Founder and Chairman, BP Capital Management

    “I’m excited to be an investor… and I believe that the automobile industry will survive in America, but it won’t look like it did in the past.”

    Frank Varasano
    Founder and CEO, V-Vehicle Company

    “Our vision for a new American car company is coming to life here in Monroe, La.”

    Tom Matano
    Director of Design, V-Vehicle Company

    “My belief is to do a good design that lasts longer. It’ll make people happy.” Tom Matano has 30 years of experience in the automotive design industry. In addition to his responsibilities at VVC, he serves as the executive director of the School of Industrial Design at the Academy of Art University in San Francisco. Matano joined Mazda in 1983 and progressed through numerous design positions, ultimately becoming general manager of Mazda Design, with responsibility for the chief designers’ group that created Mazda’s entire line of car designs, as well as the European and North American studios. His accomplishments at Mazda include the MX-5, the RX-7, the 929 Miata “M-Coupe” concept car and many other projects by the design teams he managed and created. Earlier in his career, he held design positions at General Motors and BMW.

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    Check out this lively blog about the fascinating world of industrial design. Key contributors include Ayse Birsel, Steve Prastka, Manuel Saez, Sally Dominquez, and more! Please send us your news and views to shapesters @ sparkawards. com. continue reading…

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